肖申克的救赎台词原文,肖申克的救赎台词独白
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肖申克的救赎的全部台词
我也很喜欢这部电影哈。
我有word版的中英文剧本,文字太多了。
把你邮箱给我,我给你发过来
这是节选的剧本部分
肖申克的救赎(剧本)
1 INT-- CABIN-- NIGHT(1946)内景--小屋--夜晚
A dark, empty room.一所黑黑的、空洞的房子
The door bursts open. A MAN and WOMAN enter, drunk and giggling, horny as hell. No sooner is the door shut than they're all over each other, ripping at clothes, pawing at flesh, mouths locked together.
门突然被撞开,一个男人和一个女人醉意地走了进来,吃吃地笑着,很是暧昧。
不等门关上,他们就缠在了一块,互相撕扯着衣服,搓摸着对方的身体,两张嘴紧紧地贴在了一起。
He gropes for a lamp, tries to turn it on, knocks it over instead. Hell with it. He's got more urgent things to do, like getting her blouse open and his hands on her breasts. She arches, moaning, fumbling with his fly. He slams her against the wall, ripping her skirt. We hear fabric tear.
男人摸索着想打开台灯,却弄翻了它。
顾不上管台灯,他有更急的事要做,他掀起她的上衣,用手按住她的***。
她仰着身子,***着,慌乱地解着他的钮扣。
他猛地将她顶在墙上,撕扯她的裙子。
可以听到织物被撕破的声音。
He enters her right then and there, roughly, up against the wall. She cries out, hitting her head against the wall but not caring, grinding against him, clawing his back, shivering with the sensations running through her. He carries her across the room with her legs wrapped around him. They fall onto the bed.
他粗鲁的进入了她,顶着墙壁。
她大声叫着,扭曲着身体迎合他,抓着他的后背,随着插入的感觉颤僳,毫不在意她的头抵着墙壁。
他抱着她穿过屋子,她的双腿则夹着他,两人跌倒在床上。
CAMERA PULLS BACK, exiting through the window, traveling*** oothly outside...
镜头向后拉,退出窗户,平滑地向外伸展……
2 EXT-- CABIN-- NIGHT(1946) 2外景--小屋--夜晚
...to reveal the bungalow, remote in a wooded area, the lovers' cries spilling into the night...
偏僻的小树林中展现出那间小屋,那对情人的叫声涌进黑夜……
...and we drift down a wooded path, the sounds of rutting passion growing fainter, mingling now with the night sounds of crickets and hoot owls...
沿着林间小路,情欲之音逐渐减弱,与蟋蟀和猫头鹰的叫声混在一起……
...and we begin to hear FAINT MUSIC in the woods, tinny and incongruous, and still we keep PULLING BACK until...
隐隐的音乐在树林中响起,既微弱又不协调,镜头继续后拉直到……
...a car is revealed. A 1946 Plymouth. Parked in a clearing.
一辆轿车显现出来。
是辆1946年的普利茅斯。
泊在林中的一块空地上。
3 INT-- PLYMOUTH-- NIGHT(1946) 3内景--普利茅斯--夜晚
ANDY DUFRESNE, mid-20's, wire rim glasses, three-piece suit. Under normal circumstances a respectable, solid citizen; hardly dangerous, perhaps even meek. But these circumstances are far from normal. He is disheveled, unshaven, and very drunk. A cigarette*** olders in his mouth. His eyes, flinty and hard, are riveted to the bungalow up the path.
安迪·杜弗兰,二十五、六岁,金边眼镜,西装革履。
正常情况下会是一位体面的、可靠的公民;没有危险,甚至还有些温顺。
但现在的情况却很不正常。
他头发凌乱、胡子未刮,醉意醺醺,嘴里还怄着雪茄。
眼神又直又僵,死盯着小径前方的那间小屋。
He can hear them*** ing from here.他听得到他们在***。
He raises a bottle of bourbon and knocks it back. The radio plays softly, painfully romantic, taunting him:
他举起一瓶波旁威士忌,大口大口的喝。
无线电里那绵绵的,令人心烦的浪漫小调,嘲弄着他。
You stepped out of a dream... You are too wonderful... To be what you seem...
你走出梦境……你如此精彩……你仿佛……
He opens the glove partment, pulls out an object wrapped in a rag. He lays it in his lap and unwraps it carefully--
他打开仪表板那儿的杂物柜,拉出一件破布包着的东西。
他把它放在腿上,小心的打开--
-- revealing a.38 revolver. Oily, black, evil.一支点38左轮,油油的,黑色,不祥之兆。
He grabs a box of bullets. Spills them everywhere, all over the seats and floor. Clumsy. He picks bullets off his lap, loading them into the gun, one by one, methodical and grim. Six in the chamber. His gaze goes back to the bungalow.
他抓起一盒子弹,却洒的车里上下到处都是。
他笨拙地从腿上拾起子弹,一颗又一颗坚定地依次把它们推入枪膛,一共是6颗子弹。
他再次盯住了那间小屋。
He shuts off the radio. Abrupt silence, except for the distant lovers' moans. He takes another shot of bourbon courage, then opens the door and steps from the car.
他关掉了无线电。
四周忽地静了下来,除了远处那对情人的***。
他又喝了一口威士忌,然后打开门,走出了车子。
4 EXT-- PLYMOUTH-- NIGHT(1946) 4外景--普利茅斯--夜晚
His wingtip shoes crunch on gravel. Loose bullets scatter to the ground. The bourbon bottle drops and shatters.
他的翼尖鞋轧在砾石路上,任子弹散落在地,波旁酒瓶也摔到地上,碎了。
He starts up the path, unsteady on his feet. The closer he gets, the louder the lovemaking bees. Louder and more frenzied. The lovers are reaching a climax, their sounds of passion degenerating into rhythmic gasps and grunts.
他朝前走去,跌跌撞撞。
他走的越近,***的声音愈大并愈加疯狂。
那对情人抵达***,***的声音渐渐弱了下去,变成有节奏的喘息和低语。
WOMAN(O.S.)女人
Oh god...oh god...oh god...“哦,上帝。
哦,上帝…”
Andy lurches to a stop, listening. The woman cries out in a***. The sound slams into Andy's brain like an icepick. He shuts his eyes tightly, wishing the sound would stop.
安迪踉跄着停了下来,倾听。
女人兴奋地喊着,那声音就像冰锥一样冲击着安迪的大脑。
他紧紧的闭上眼睛,希望声音停止。
It finally does, dying away like a siren until all that's left is the shallow gasping and panting of post-coitus. We hear languorous laughter, moans of satisfaction.
最终,像渐渐消失的塞壬(译者注:传说中的女海妖,她用美妙的歌声诱惑船只上的海员,从而使船只在岛屿周围触礁沉没),它停了下来,只剩下交媾后的轻呼和喘息。
可以听到柔弱的笑声和满意的***。
WOMAN(O.S.)女人
Oh god...that's sooo good...you're the best...the best I ever had...
“噢,上帝!好极了!你是最棒的,我最棒的……”
Andy just stands and listens, devastated. He doesn't look like much of a killer now; he's just a sad little man on a dirt path in the woods, tears streaming down his face, a loaded gun held loosely at his side. A pathetic figure, really.
安迪只是站在那里听着,垂头丧气。
现在,他看起来一点都不像个杀手。
他只是一个悲哀的、渺小的男人,站在肮脏的林中小路上,提溜着一把装满子弹的枪,任凭眼泪淌过脸颊。
可怜的人,真可怜!
FADE TO BLACK: 1ST TITLE UP屏幕渐黑,第一次字幕升起
5 INT-- COURTROOM-- DAY(1946) 5内景--法庭--白天
THE JURY listens like a gallery of mannequins on display, pale-faced and stupefied.
陪审员们如同展览中的人体模型排成一列,面色无光、怔怔地听着。
D.A.(O.S.)律师
Mr. Dufresne, describe the confrontation you had with your wife the night she was murdered.
“杜弗兰先生,描述一下你妻子被谋杀的那天晚上,你与她的争执。”
ANDY DUFRESNE is on the witness stand, hands folded, suit and tie pressed, hair meticulously bed. He speaks in soft, measured tones:
安迪·杜弗兰坐在证人席上,双手交叉,领带紧打、衣着严肃,梳洗整齐。
说话温和又慎重。
ANDY安迪
It was very bitter. She said she was glad I knew, that she hated all the sneaking around. She said she wanted a divorce in Reno.
“很激烈。
她说她很高兴我知道了一切,她讨厌总是偷偷摸摸,她还说她想在雷诺离婚。
”(译者注:雷诺,美国有名的“离婚城市”,在内华达州西部,凡欲离婚者,只须在该市住满三个月,即可离婚)
D.A.律师
What was your response?“你怎么回应?”
ANDY安迪
I told her I would not grant one.“我告诉她我不会同意。”
D.A.律师
(refers to his notes)"I'll see you in Hell before I see you in Reno." Those were the you used, Mr. Dufresne, according to the testimony of your neighbors.
(看了一下他的文件记录。
)“‘去雷诺前,先下地狱吧!’这是你说过的话,杜弗兰先生,依据你邻居的证词。”
ANDY安迪
If they say so. I really don't remember. I was upset.
“他们怎么说怎么算吧。
我心烦意乱,真的记不得了。”
FADE TO BLACK: 2ND TITLE UP屏幕渐黑,第二次字幕升起
D.A.律师
What happened after you argued with your wife?“你们吵完之后呢?”
ANDY安迪
She packed a bag, she packed a bag and go and stay with Mr. Quentin.
“她拾掇了一个包裹,她拾掇了一个包去和昆丁先生住在一起。”
D.A.律师
Glenn Quentin. The golf pro at the Snowden Hills Country Club. The man you had recently discovered was you wife’s lover.
“格兰·昆丁。
斯诺顿·希尔斯乡村俱乐部的职业高尔夫球手,你最近发现他是你妻子的情夫。”
(Andy nods)(安迪点点头)
Did you follow her?“你跟踪她了吗?”
ANDY安迪
I went to a few bars first. Later, I drove to his’s house to confront them. They weren't home...so I parked in the turnout...and waited.
“我先去了几间酒吧,然后,我开车去他家找他们。
他们不在,所以,我把车泊到岔道,等着。”
D.A.律师
With what intention?“出于什么目的?”
ANDY安迪
I'm not sure. I was confused. Drunk. I think mostly I wanted to scare them.
“说不清.我喝醉了,头晕晕的。
我想,我只是想吓吓他们。”
FADE TO BLACK: 3RD TITLE UP屏幕渐黑,第三次字幕升起
D.A.律师
When they arrived, you went up to the house and murdered them?
“他们回来后,你就走到屋子里杀了他们?”
ANDY安迪
No. I was sobering up. I got back in the car and I drove home to sleep it off. Along the way, I stopped and threw my gun into the Royal River. I feel I've been very clear on this point.
“不。
我渐渐冷静了下来。
我走回车里,开车回家睡觉来忘掉这件事。
路上,我停了下来,把枪扔到了皇家河里。
这一点,我一直记得很清。”
D.A.律师
Where I get hazy, is where the cleaning woman shows up the following morning and finds your wife in bed with her lover, riddled with.38 caliber bullets. Does that strike you as a fantastic coincidence, Mr.Dufresne, or is it just me?
“使人感到困惑的是,第二天早上,清洁女工上班时,发现你的妻子和她的情夫,被多发点38口径的子弹打死在床上。
你真得认为这是巧合,杜弗兰先生?还是只是我这么想?”
ANDY安迪
(softly) Yes. It does.(轻轻地说)“是的,是巧合。”
FADE TO BLACK! 4TH TITLE UP屏幕渐黑,第四次字幕升起
D.A.律师
You still maintain you threw your gun into the River before the murders took place. That's very convenient.
“你仍然坚持你在命案发生前把你的枪扔到了河里?这样说很有利。”
ANDY安迪
It's the truth.“这是事实。”
谁知道电影《肖申克的救赎》片尾那句话的英文原文
《肖申克的救赎》的结尾艾利斯·波德·瑞德所说的原文:
I hope I can make it across the border, I hope the Pacific is as blue as I dreamed it is,
I hope to see my friend again, and shake his hand,I hope.
Fear can hold you prisoner. Hope can set you free.
It takes a strong man to save himself, and a great man to save another.
Remember, Hope is a good thing, maybe the best of things and no good thing ever dies。
中文译文:
我希望我能越过边境,我希望我的梦想同太平洋同一样蔚蓝,
我希望再次见到我的朋友,同他握手,我希望。
恐惧让你沦为囚犯。希望让你重获自由。
坚强的人只能救赎自己,伟大的人才能拯救他人。
记着,希望是件好东西,没准儿是件最好的东西,而且从没有一样好东西会消逝。
扩展资料
《肖申克的救赎》是由弗兰克·达拉邦特执导,蒂姆·罗宾斯、摩根·弗里曼担任主演。《肖申克的救赎》改编自斯蒂芬·金《四季奇谭》中收录的同名小说,该片中涵盖全片的主题是“希望”,全片透过监狱这一强制剥夺自由、高度强调纪律的特殊背景来展现作为个体的人对“时间流逝、环境改造”的恐惧。
艾利斯·波德·瑞德曾作为肖申克监狱囚犯之一,曾经数度申请假释均被驳回,安迪逃狱后,终于获得假释并且与老友重逢。
在影片中,有人在改变,也有人在习惯。影片中的“肖申克监狱”隐喻着一个相对封闭的社会环境,对于在监狱里呆了50年的老托马斯来说,改变意味着毁灭;但对于年轻而富于**的安迪来说,改变则是一种救赎。《肖申克的救赎》其实是对自我的一种救赎。
参考资料来源:百度百科-肖申克的救赎
肖申克的救赎中的台词
第一次坐下来,你因被判终身监禁已在此20年?
是的,先生
你有感到悔过么?
是的,绝对有,先生。我是说,我得到了教训。我敢说我已经完全改变了,不会再为害社会了,这是神的真理。
第二次坐下,你因终身监禁在此30年,觉得自己改变了么?
是的,先生,毫无疑问,老实说我已改过,我已不会为害社会。上帝可以作证,真的改变了。第三次请坐,瑞德...你因终身监禁已被关了40年了..你觉得你已改过了么?
改过?让我想想..我不明白那是什么意思
你有心里准备重新投入社会么?
我知道你们是怎么想的,对我来说那只是个用来掩饰的词,政客用的词句...你们年轻人能穿西装打领带...有一份好工作,你到底想知道些什么?我对自己所犯的罪感到后悔么?
你有后悔么?
没有一天我不感到后悔的,不是因为我在监狱里,
或者你认为我该这样,我回忆起以前所走的路...
一个年轻的...愚蠢的犯了滔天大罪的孩子..
我想和他谈谈,我想和他讲讲道理,告诉他做人之道
但已不能了,那孩子已无影无踪了...只剩下这个老人
我得这样生活下去。改过?这只是个虚有的名词。
所以把我说的话打到文件上去吧,别再浪费我的时间了
说句实话...我根本不在乎了...布鲁克出狱后的旁白大家好,外面的改变令我难以想象
我童年是只见过一次汽车,但现在到处都是
世界改变的直快
假释官给我安排了中途宿舍,叫做“酿酒工人”
和一份工作,在一家杂货店里包装食物
虽然很辛苦,但我很努力工作
我的手经常感到酸痛,我想那店主不太喜欢我
工余,我到公园喂白鸽,
我一直希望,杰克会飞来和我打招呼,但它从未来过
不管怎么说,我希望它很好,还交了新朋友
晚上我不能入睡,经常做噩梦,醒来时感到恐惧
要想一会儿才知道自己在哪儿
或许我应该用枪打劫,让他们好送我回家
我可以打死那个店主,当他是分红
但我已太老,干不了这事,我不喜欢这地方
它令我太焦累,我决定...离开瑞德出狱后的旁白 40年来我小便都要经过批准,不批准的话一滴都不敢漏出来
现实是很难面对的,我不习惯外面的生活
我只在想怎样才能违反假使条例...那样他们会把我再送进去
生活在恐惧中是可怕的,布鲁克是知道的,他太清楚了
我只想回到能适合我的地方,令我不用再担惊受怕的地方
只有一件事组织了我这么做——我对安迪作出的承诺
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